{"id":21599,"date":"2026-03-24T14:49:02","date_gmt":"2026-03-24T11:49:02","guid":{"rendered":"https:\/\/bimsolutions.ge\/eng\/?p=21599"},"modified":"2026-03-24T14:49:02","modified_gmt":"2026-03-24T11:49:02","slug":"the-making-of-zootopia-2-with-walt-disney-animation-studios","status":"publish","type":"post","link":"https:\/\/bimsolutions.ge\/eng\/blog\/the-making-of-zootopia-2-with-walt-disney-animation-studios\/","title":{"rendered":"The Making of Zootopia 2 with Walt Disney Animation Studios"},"content":{"rendered":"<p id=\"after-more-than-a-century-of-storytelling-and-innovation-walt-disney-animation-studios-continues-to-move-the-medium-forward-with-zootopia-2-using-autodesk-maya-to-build-new-worlds-and-flow-production\" class=\"wp-block-heading\">After more than a century of storytelling and innovation, Walt Disney Animation Studios continues to move the medium forward with\u00a0Zootopia 2. Using <strong><a href=\"https:\/\/bimsolutions.ge\/eng\/bim-programa\/maya\/\">Autodesk Maya<\/a><\/strong> to build new worlds and <strong><a href=\"https:\/\/bimsolutions.ge\/eng\/bim-programa\/shotgrid\/\">Flow Production Tracking<\/a><\/strong> to keep thousands of assets in motion, more than 700 people came together to create the film now nominated for Best Animated Feature at the upcoming 98th Academy Awards.<\/p>\n<div class=\"embed-responsive  embed-responsive-16by9\"><iframe loading=\"lazy\" title=\"The Making of Zootopia 2 with Walt Disney Animation Studios\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/DpPai8xJAeU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><em>Zootopia<\/em>\u00a0leads with a beautiful idea: anyone can be anything.<\/p>\n<p>That belief isn\u2019t just baked into the story. It shows up behind the scenes at Walt Disney Animation Studios too.<\/p>\n<p>Producer\u00a0<strong>Yvett Merino<\/strong>\u00a0knows this better than most. She started at Disney as a temporary employee, unsure where things might lead. Nearly 30 years later, she\u2019s producing one of the most ambitious animated films the studio has ever made:\u00a0<em>Zootopia 2<\/em>.<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2521 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-3-1024x576.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-3-1024x576.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-3-300x169.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-3-768x432.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-3-1536x864.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-3.jpg 1920w\" alt=\"\" width=\"729\" height=\"410\" \/><\/figure>\n<p>Alongside Merino, Layout Supervisor\u00a0<strong>Dorian Bustamante<\/strong>\u00a0and Environment Modeling Supervisor\u00a0<strong>Chris O\u2019Connell<\/strong>\u00a0share how\u00a0<em>Zootopia 2<\/em>\u00a0is truly a film made by everyone at Disney Animation. More than 700 people came together, united by a shared love of animation.<\/p>\n<p>\u201cThe great thing about animated films is you\u2019re limited by your imagination. It\u2019s a form that allows you to tell stories visually and in different styles that physically might be impossible,\u201d Bustamante says.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2520 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6419-1024x683.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6419-1024x683.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6419-300x200.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6419-768x512.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6419-1536x1025.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6419.jpg 1920w\" alt=\"\" width=\"714\" height=\"476\" \/><\/figure>\n<p>Using\u00a0<strong>Autodesk Maya<\/strong>\u00a0to build new environments and push character performance and\u00a0<strong>Flow Production Tracking<\/strong>\u00a0to manage a massive production scale, the team blends heart and innovation at every step.<\/p>\n<h3 id=\"a-whole-lot-of-ambition\" class=\"wp-block-heading\"><strong>A whole lot of ambition<\/strong><\/h3>\n<p>From the very beginning,\u00a0<em>Zootopia 2<\/em>\u00a0set out to be bigger.<\/p>\n<p>\u201cWe had about 42 sequences and about 2,055 shots,\u201d Layout Supervisor Dorian Bustamante explains, above the average of 1,600 shots for a Disney Animation film.<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2522 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-1-1024x576.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-1-1024x576.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-1-300x169.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-1-768x432.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-1-1536x864.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-1.jpg 1920w\" alt=\"\" width=\"745\" height=\"419\" \/><\/figure>\n<p>In animation, nothing arrives ready\u2011made. Every building, market stall, and background detail has to be designed, modeled, placed, and tracked. This film pushed its characters into entirely new worlds, expanding the creative workload at every level.<\/p>\n<p>\u201cThere\u2019s a whole bunch of new environments introduced\u2026there was over 8,000 elements,\u201d Chris O\u2019Connell, Environment Modeling Supervisor shares.<\/p>\n<h3 id=\"creating-new-worlds-with-maya\" class=\"wp-block-heading\"><strong>Creating new worlds with Maya<\/strong><\/h3>\n<p>That level of ambition only works when artists can dream without friction. This is where\u00a0<a href=\"https:\/\/www.autodesk.com\/products\/maya\/overview\" target=\"_blank\" rel=\"noreferrer noopener\">Maya<\/a>\u00a0becomes essential.<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2523 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-2-1024x576.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-2-1024x576.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-2-300x169.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-2-768x432.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-2-1536x864.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/zoo-blog-2.jpg 1920w\" alt=\"\" width=\"756\" height=\"425\" \/><\/figure>\n<p>\u201cFor animation software, we definitely need something that\u2019s very well\u2011rounded and quick. Maya does a really great job being intuitive,\u201d Bustamante puts it simply.<\/p>\n<p>From asset modeling to animation layout, Maya helped artists build massive, complex environments without slowing creative momentum.<\/p>\n<p>\u201cMaya is kind of like the connection tool between all the departments,\u201d says O\u2019Connell.<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2515 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/01_elevation_update-1024x609.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/01_elevation_update-1024x609.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/01_elevation_update-300x178.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/01_elevation_update-768x457.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/01_elevation_update-1536x914.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/01_elevation_update.jpg 1920w\" alt=\"\" width=\"719\" height=\"427\" \/><\/figure>\n<p>Maya mattered most on one of the film\u2019s toughest challenges: the Marsh Market environment. It pushed scale, detail, and performance all at once and Maya made it possible to keep experimenting, refining, and pushing further without losing control of the world.<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2516 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/Marsh_Market-Film_Still-1024x429.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/Marsh_Market-Film_Still-1024x429.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/Marsh_Market-Film_Still-300x126.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/Marsh_Market-Film_Still-768x322.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/Marsh_Market-Film_Still-1536x643.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/Marsh_Market-Film_Still.jpg 1920w\" alt=\"\" width=\"728\" height=\"305\" \/><\/figure>\n<h3 id=\"keeping-thousands-of-pieces-moving-with-flow-production-tracking\" class=\"wp-block-heading\"><strong>Keeping thousands of pieces moving with Flow Production Tracking<\/strong><\/h3>\n<p>With more than 2,000 shots and over 8,000 elements in motion, coordination becomes just as important as creativity. This is where Maya and\u00a0Flow Production Tracking\u2019s connectivity came in.<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2518 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/120_ShotgridScreengrab-1024x655.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/120_ShotgridScreengrab-1024x655.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/120_ShotgridScreengrab-300x192.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/120_ShotgridScreengrab-768x491.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/120_ShotgridScreengrab.jpg 1419w\" alt=\"\" width=\"739\" height=\"472\" \/><\/figure>\n<p>Flow Production Tracking connects teams across the studio, helping artists, supervisors, and producers stay aligned as the film takes shape. It keeps the work moving even when the story changes.<\/p>\n<p>Producer Yvett Merino describes a process that\u2019s always in motion. \u201cWe\u2019re continuously working on the story as we\u2019re creating it\u2026 We may be in our editorial room changing something that\u2019s in work on the floor out there.\u201d<\/p>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2525 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-425.0_001.00_0111_revised-1024x429.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-425.0_001.00_0111_revised-1024x429.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-425.0_001.00_0111_revised-300x126.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-425.0_001.00_0111_revised-768x322.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-425.0_001.00_0111_revised-1536x643.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-425.0_001.00_0111_revised.jpg 1920w\" alt=\"\" width=\"757\" height=\"317\" \/><\/figure>\n<p>That kind of flexibility is essential. Story changes can pause production, but Flow Production Tracking helps those changes land without slowing everything down.<\/p>\n<h3 id=\"doing-what-you-were-always-meant-to-do\" class=\"wp-block-heading\"><strong>Doing what you were always meant to do<\/strong><\/h3>\n<p>For all the complexity behind\u00a0<em>Zootopia 2<\/em>, what really defines it is joy.<\/p>\n<p>\u201cTo watch it go from an idea that\u2019s talked about to a sketch to a model and into a final frame\u2026 it\u2019s really exciting,\u201d Merino says.<\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2519 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6283-1024x683.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6283-1024x683.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6283-300x200.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6283-768x512.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6283-1536x1025.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/StoryJam-9D2A6283.jpg 1920w\" alt=\"\" width=\"737\" height=\"491\" \/><\/figure>\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-2524 aligncenter\" src=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-mono_fullcomp0022-1024x429.jpg\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-mono_fullcomp0022-1024x429.jpg 1024w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-mono_fullcomp0022-300x126.jpg 300w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-mono_fullcomp0022-768x322.jpg 768w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-mono_fullcomp0022-1536x643.jpg 1536w, https:\/\/blogs.autodesk.com\/media-and-entertainment\/wp-content\/uploads\/sites\/162\/ZOOTOPIA2-ONLINE-USE-mono_fullcomp0022.jpg 1920w\" alt=\"\" width=\"747\" height=\"313\" \/><\/figure>\n<p>That excitement is the heartbeat of animation. It\u2019s what elevates the medium, inspires artists, and makes stories like\u00a0<em>Zootopia 2<\/em>\u00a0touch our hearts.<\/p>\n<p>\u201cWatching people do what they were always meant to do is the most inspiring thing,\u201d Merino puts it best.<\/p>\n<p>&nbsp;<\/p>\n<p>Article From: <em><strong><a href=\"https:\/\/www.autodesk.com\/?_gl=1*ungdsm*_gcl_au*NzkwNTg0OTQwLjE3NzM4MzUzMDI.*_ga*Nzk4NTcyMDU0LjE3NzI2MDg0NzU.*_ga_NZSJ72N6RX*czE3NzQzNDgzMjgkbzQyJGcxJHQxNzc0MzQ5ODk1JGo1NiRsMCRoMA..\">www.autodesk.com<\/a><\/strong><\/em><\/p>\n<div class=\"wp-block-embed__wrapper\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>After more than a century of storytelling and innovation, Walt Disney Animation Studios continues to &hellip;<\/p>\n","protected":false},"author":11,"featured_media":21600,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6.1 - 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